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Edwin Crossley-Mercer, Manon, & The Opera Review

“The chief splendor of the evening came from the singers. Baritone Edwin Crossley-Mercer turned Manon’s cousin, Lescaut, into a complex dramatic figure, a louche gambler and seducer who appeared to be making moves on his cousin when he meets her at the Inn in Act I.” To read the entirety of the Opera News article, […]

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